Pink Floyd | xxharrison

City in Blue

There are a number of arbitrary hooks which snared me as regards London. I loved pictorial history books as a kid and these being Anglocentric featured much on the development of English culture and society, with London at its centre. The Tower of London, St Paul’s and the Thames were familiar to me, as illustrations of their place through history.

Pop music too, of course. In 1968 my soul spun upon hearing Last Night in Soho by Dave Dee, Dozy, Beaky, Mick and Tich. Dave Dee was sometimes known, ominously, as the singing policeman having once been a cadet in the Wiltshire Police; one of those boys in blue. Here, he’s one of the bad boys we love. It was my first single, and also, I’ve just read, Waterboy Mike Scott’s. Great minds, Mike, great minds.

You came into my life like rain upon a barren desert

Just one smile and I was born again

I felt sure it wasn’t too late

I’d find strength to make me go straight

I had love and threw it away

Why did they lead me astray

For last night in Soho

I let my life go

Last Night in Soho was written by Ken Howard and Alan Blaikely and released on the Fontana label, which used attractive deep blue graphics. The song is a cautionary tale, melodramatic but seductive. London is cinematically rendered, in a collage of crime and romance. How dangerous and attractive this place Soho sounded! I had a fondness for maps, and a London street guide was thumbed close to invisibility, as I traced my path through Soho and the wild West End.

As a football fan, the towers of Wembley loomed large in my youth. FA cup finals provided a rare chance to see a full televised match. My first featured West Ham and Preston North End. But I lost my heart to the boys in blue, Chelsea, although losing the final to Spurs in 1967. I had built many memories of London by the end of the twentieth century, physically stepping onto the streets of London, seeing the sights, the galleries, eating, drinking, going to the movies, music gigs and theatre shows. But it would be 2005 before I actually went to a Chelsea game. As a treat for my fiftieth birthday, M and Sons brought me to the Hotel Chelsea right in their home ground. Chelsea were turned a hundred years old then having been founded in 1905 to occupy Stamford Bridge, an athletics stadium in Fulham. That’s a different Stamford Bridge to the one up near York that hosted King Harold’s semi final victory over the Norwegians in 1066. Harold lost the final to the Normans at Hastings, led by William, since known as the Conqueror.

Chelsea FC were admitted immediately to the Football League, though it would take another fifty years to win it, which they did in the year of my birth, 1955. Another fifty years later at the end of November I saw them play at the Bridge, as defending League Champions, having triumphed again the season before. They played Wigan Athletic, John Terry scoring the only goal of the game. They would go on to win the Premiership that season.

Earlier, with M and the boys, I met star players Peter Bonetti and Bobby Tambling. Tambling was the Blues star striker of the sixties scoring over two hundred goals. Bonetti was their goalkeeper, known as The Cat. I fancied myself as a goalie in my youth, but was known as the Vampire, as I couldn’t deal with crosses. Bonetti had played in Chelsea’s first FA Cup winning team, in 1970, beating Leeds Utd in a glorious mudbath at Wembley. Kicking and a gouging in the mud the blood and the beer, as Johnny Cash ‘sang’.

The Fox and Pheasant is the oasis of choice, out in the beer garden oiling the tonsils for the afternoon ahead. I sank a few with my boys here on an Easter weekend before seeing Chelsea beating Arsenal two nothing with a brace by Didier Drogba, later marching down the Fulham Road singing Didier Drogba, la le la le la. The day after seeing Henry IV at the Globe, Davin and I attended the first game of the season to enjoy Chelsea beating West Brom 6 – 0. Drogba scored a hat trick. Visiting the Chelsea Museum, we got to lift the Premier League trophy and the FA Cup, the benefit of a double winning year. Been there, done that, even bought a souvenir teeshirt.

Woke up, it was a Chelsea Morning

And the first thing that I heard

Was a song outside my window

And the traffic wrote the words

It came ringing up like Christmas Bells

Rapping up like pipes and drums

Chelsea!

Joni Mitchell’s song from 1969 is a song of joy. Oh, to feel like that of a morning! It appeared on her album Clouds.

You can head back east to the Borough of Kensington and Chelsea by Fulham Road or King’s Road nearer the River Thames. The crossing is bracketed by World’s End and Brompton Cemetery, which sound more cheerful on a matchday. Along the river I can stroll along Cheyne Walk and think at least something sounds like it’s named after me. Chelsea Bridge is further on. The current structure dates from 1937, replacing an earlier one originally known as Victoria Bridge. Like its predecessor it is a suspension bridge, though much wider, and while plain enough, pleasantly illuminated at night.

A landmark across Chelsea Bridge is the Battersea Power Station. This massive coal fired power station was designed by engineer Leonard Pearce with architects Giles Gilbert Scott and Theo Halliday. Construction began in 1929. It was paused during the Second World War; the complex ultimately completed in 1955. In the late seventies decommissioning began and the building became derelict for thirty years until redevelopment in 2012. Numerous bids included Chelsea’s plan to convert the station into a football stadium. But that didn’t fly. Frank Gehry and Norman Foster were amongst the leading architects redesigning the forty acre site along with restoring the original buiding on a project incorporating residential, retail, leisure and entertainment. The complex was opened in 2022.

Battersea Power Station is a combination of awe inspiring scale and art deco elegance. One of London’s most iconic buildings, it is also a cultural landmark in its evocation of both utopian and dystopian themes. Pink Floyd fans will know this from the cover of their 1977 album, Animals. The cover photo, by Hipgnosis, was not collaged or manipulated, no Photoshop back then. A giant inflatable pig was hoisted into place for the shoot. Unfortunately, the monster broke free, terrorising the population of West London and Heathrow Airport before landing in Kent. You can’t get more Orwellian than that.

Following last year’s visit to Oxford, we completed the learning curve with a visit to Cambridge. Just fifty miles north of London, it’s a morning’s drive in the hire-car from Russell Square, through ever decreasing suburbs into the low countryside beyond Epping. Past the Gog Magog Hills, Cambridge nestles in the fen lands, a sodden lowland through which snakes the River Cam. Romans, Angles, Vikings and Normans have stomped across this geographically open landscape, now it is pure middle England.

Cambridge is somewhat smaller than Oxford with a population of about 125,000. There is less of an urban ambience, less classical in its streetscape, it is more the winding country town. The university is the dominant force by far. About a fifth of the population are students. Formed by Oxford rejects at the start of the thirteenth century, it grew to become its keenest rival. The annual boat-race on the Thames is a famous manifestation of that rivalry.

View across the Paddocks at Downing College

We have a room at Downing College. It overlooks a quiet quadrangle, an arcade to one side adjoins a small theatre hosting a seminar. At quieter moments we decamp there with coffee and a book. At crowded tea-breaks it is useful to eavesdrop on the networking and hob-nobbing of the seminarians. The college is in a mellow yellow stone throughout. It is cast in the neo-classical mode. Built in the early eighteen hundreds, it has been described as the last of the old colleges, and the first of the new. Its patron, George Downing also gave his name to Downing Street. Of course, knowledge is also a corridor of power. We note, with some amusement, that certain walks are confined to the Fellows. At this time of year, we should be okay. The view across the Paddocks is, in a way, quintessentially English. Yet, the spire of the church on Lansfield Road also recalls home. It’s the uncanny valley again, so near and yet so far away.

Later, we step outside of the groves of academe for our evening meal to eat curries from the carton at an Indian deli and store across the road. There’s posh for you. It was very good indeed. Next morning, we breakfast in rather grander surrounds, at Downing’s great hall. Food to feed a horse, if a bit rushed owing to our late-coming tendencies. We resolve to be better tomorrow.

The Hopbine Pub advertises an invaluable service.

There are plenty of good restaurants here, incidentally. On our second evening we make a more serious scouting effort for our dining pleasure. The good spots fill up quickly as evening falls. We get a table at the Wildeside, another English meal with the great man, though of course he was an Oxford man. It’s quiet and stylish, with a little patio to the rear.

During the day, Cambridge, even with the tourist throngs, is eminently relaxing. Although it doesn’t quite have an aspect of dreaming spires, it is both evocative in its atmosphere and rich in visual delights. Kings Parade is probably the definitive vista. Old vernacular streetscape to one side, the impressive frontage of major colleges, notably King’s College, to the other. The winding thoroughfare retains a sense of the ancient. The oldest building in Cambridge, St. Benet’s Church, a quiet, simple structure, dates back to 1209.

Author deposits his books at Cambridge University Library

Beyond the Cam, parkland cradles the more modern campus of the University. Cambridge University Library is a startlingly modern addition to the skyline. Built in the 1930s, the huge central tower has all the pulsing power of industrial art deco. Its architect, Giles Gilbert Scott, was also responsible for the Bankside power station that houses the Tate Modern. Chamberlain is said to have referred to it as a ‘magnificent erection’! Indeed it is impressive, it is also a repository for all books published in England and Ireland; mine too, I’m sure.

King’s College Chapel viewed from the Backs.

Walking the city centre periphery illustrates Cambridge’s inevitable affinity with boating. Punting on the canal, or the corralled section of the Cam, is central to the Cambridge experience. Punters ply the serene waters, keeping up a patter of history, myth and gossip. Our host Phil hails from Northern Ireland, but is well versed in local lore with the gift of the gab thrown in. The route travels along The Backs, with views of the colleges across well-tended lawns. The Cam was rerouted for this. Henry VIII being instrumental in a scheme aimed at enhancing his and England’s prestige. The gothic grandeur of King’s College Chapel is another element of his legacy. Silence may have been preferrable at some sections. The Bridge of Sighs is evocative, indeed the entire poem of still water and ancient stone is a joy. But it really is a crowded river at times. You can hire your own punt too. Many do, floating drink parties are still drifting about at dusk.

Approaching the Anchor Pub

We put our anchor down at the terminus in Mill Pond. Appropriately enough, The Anchor pub nestles there. This was once the hangout of Syd Barrett, where, as a teenager, he used to bend an ear to the resident jazz band. He would later lead his own band, those masters of avant garde psychedelia, Pink Floyd. Barrett would ultimately be replaced by his hometown friend, Dave Gilmour. Barret is commemorated in two panoramic panels on the lower level. An open terrace looks out over the maelstrom of the pond. In a town not exactly falling down with good pubs, it quickly becomes our favourite for a few drinks. There’s keg ales and good food. The pub rises through three levels. At the top, a jazz band plays. Imagine yourself back in Floydian times, let the mellow jazz merge seamlessly with Pink sounds. Put on a gown that reaches the ground, float on a river, forever and ever…

xxharrison

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